- #GODIN 5TH AVENUE KINGPIN VS GIBSON ES 125 FULL#
- #GODIN 5TH AVENUE KINGPIN VS GIBSON ES 125 PROFESSIONAL#
#GODIN 5TH AVENUE KINGPIN VS GIBSON ES 125 PROFESSIONAL#
If you’re looking for a professional level instrument that’s going to stand up to a lifetime of live performances and studio sessions, then the best jazz guitars for you are probably going to be north of the £/$1500 mark. Like with most things in life, price will also be a consideration. There can be some fairly intense stretching when it comes to jazz chord inversions and scales, so how the neck fits in your fretting hand is definitely worth considering. Many players have a personal preference and it really boils down to what is comfortable for you.
There are various neck profiles available throughout this selection of the best jazz guitars. (Image credit: Future) What neck profile is best for Jazz?
#GODIN 5TH AVENUE KINGPIN VS GIBSON ES 125 FULL#
For example, dial back the volume a little on the neck for rhythm sounds, then switch to your bridge pickup at full volume, with a little of the tone rolled off for solos - there are so many options without having to look at a single pedal. If you’re playing a guitar with two pickups, individual volume and tone knobs for each pickup can help you establish the perfect rhythm and lead tones. Having a selection of slightly different tones at your fingertips can be really helpful when playing jazz. You’ll still want that mellow warmth, but you might want a little more bite and brightness to your tone at times - guitars with a couple of different pickups on board can prove to be incredibly handy in these situations. If you’re likely to be fusing jazz with bits of rock, blues, country or anything else, then you might want something a little more versatile. For a lot of jazz styles, this shouldn’t be a problem, but if you know that you’ll be playing sections with gain, then a semi-hollow or solid body guitar should help with this. Hollowbody guitars can also be prone to feedback if you’re playing close to a really loud amp, or you’re using a fair amount of overdrive. You do sacrifice some sustain, which is worth bearing in mind, though that can work well for a lot of jazz music. Hollowbody guitars have been the choice of jazz players for decades, due to their tremendous low end response and warmth. If you’re a straight up, traditional jazz player, then you’ll probably want an instrument that reflects that. When looking for the best jazz guitar for you, there are a few considerations to make that will help lead you to the right instrument.
The Greasebucket tone circuit also allows you to take out some of the high frequencies that you might not want, without muddying your existing tone, or adding more bass frequencies. The bridge pickup gives you some classic Tele tang which can be nice for lead work, and the two pickups combined gives a beautiful, smooth tone. The humbucker in the neck position gives you lots of warmth and depth, however, it’s armed with a push-pull tone pot that essentially turns it into a single coil, without a drop in volume. The Fender American Performer Telecaster Hum is a superb choice if you’re looking for a versatile jazz guitar. A Tele also means you can turn it up, and add some gain to your tone without having to worry about the guitar feeding back. That said, a good Tele is very capable of producing some incredible jazz tones, as proven by the likes of Ed Bickert and Mike Stern. There’s also a Bigsby licensed tailpiece and wire handle for adding subtle vibrato, whilst keeping a classy aesthetic.Ī Tele might not seem an obvious choice for jazz - the legendary solidbody as about far away from a hollowbody as you can get. The neck features Epiphone’s Slim Taper profile so will suit those that prefer a slightly thinner neck. Each pickup has an individual volume and tone knob too so you can really shape your sound. Through a clean guitar amp, the neck pickup delivers a beautiful, mellow jazz tone, and in the middle position, you can get a great, slightly percussive, slightly quacky tone that’s great for lead playing. It’s got the classic hollowbody sound it’s warm, rounded and rich, with plenty of bite available in the bridge pickup should you need it. This gives you a wide tonal palette to play with, though it’s difficult to get a bad jazz sound out of it. It’s got a fully hollow body and a pair of SwingBucker pickups, along with push-pull volume controls that allow for series/parallel switching. This affordable and versatile offering from Epiphone is one of the best guitars for jazz around this price point.
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